My Own Private Heaven Reviews, a place  where you can find the best of pop culture ...
"--We fear that pop culture is the only kind of culture we're ever going to have--"

Warning!
This website is based on opinions.
If you don't like the idea of people having diffrent opinions, well...I suggest you to start lookin for the exit....

Internet archaeology

Of course a person who hosts a website in neocities has an interest on internet archaeology. Well, in my words, internet archaeology is the act of searching and preserving websites (I know my definition is pretty bad, but I didn't find concise definition). Well, honestly i don't know how to archieve thing on the wayback machine -kind of hipocrite of me if you ask me...- but I can show  you a handfull of the extravagant websites one can find in this digital ecosystem we call the internet. I could provide the context and just this enigmatic pieces of history. Allright? so below I'll post the editions of my aventures in some unknown faces of the worl wide web...

"To-watch" list of movies

Back in February, Centropolis proudly announced that they had signed on John Williams to score the music for their upcoming summer blockbuster "The Patriot" starring Mel Gibson.  Being a big fan of John Williams (Star Wars, Indiana Jones, Jurassic Park, E.T. and more) I was very excited to hear this news.  Coming off of the critical disaster that was Godzilla, one had to wonder how Dean Devlin and Roland Emmerich were going to redeem themselves.  Well, the first step had been taken by putting together a talented cast to do a respectable movie written by a talented writer (Robert Rodat of Saving Private Ryan fame).  This alone was good enough to gain instant respectability.  But, they didn't stop there.  Give credit to the dynamic duo for taking that extra step and hiring a world-class composer to score their movie.  This seemingly insignificant move could be what propels The Patriot towards blockbuster status.  I've always been a fan of movie music, especially John Williams.  I firmly believe that a good movie can be turned into a crappy movie if the music is poor.  Likewise, a good movie can be turned into a spectacular movie with brilliant music that adds drama and intensity at the critical moments.  I still get goosebumps every time I watch the scene in Star Wars: Episode I where the doors part to reveal Darth Maul and the rousing music of Williams' Duel Of The Fates starts up.  Despite this great move by Centropolis, there is actually someone who loses out -- David Arnold.  For those who don't recognize the name, I have praised the energetic work of David several times on this website.  He is the composer who spiced up Stargate, ID4 and Godzilla with ambitious zeal.  Rumors persist that there has been no falling out between David and Centropolis due to the hiring of John Williams over him, and let's hope that this is one rumor that is true.  I for one am looking forward to the next movie that contains David Arnold's music.  But until then, movie fans are in for a treat this summer when they get to hear another "patriotic" and triumphant score from the master himself.  Nothing adds excitement and class to a film more than a score by John Williams.